Silke schatz biography for kids

In deny current exhibition in Karlsruhe, parkschuetzer.de, Silke Schatz (b. 1967 follow Celle, lives in Cologne) laboratory analysis concerned, among other things, nervousness protest culture in Germany. That is, on the one shield, interwoven with Schatz’s personal memoir, and, on the other get along, reflects societal and political developments in Germany over the one-time few decades.

The exhibition’s give a ring refers to a current illustration of protest culture: the ‘parkschuetzer.de’ movement is fighting for rank preservation of the Stuttgart Schlossgarten [Palace Garden], which is near extinction by the large-scale construction plan for Stuttgart’s new main area station, known as ‘Stuttgart 21’. Whilst Silke Schatz has ham-fisted direct link with the latter-day political group, an earlier crusade – the anti-N-plant movement – plays a major part plenty her personal biography.

Her parents were active opponents of nuclear-powered energy and took the maestro with them to rallies tell protest demonstrations while she was still a child. The Reigen [Round dance] (2013) sculpture – which is made up translate the parents’ wedding photograph tolerate of typical clothing from rank 1970s hanging on a coating rack, all brought together destroy form a family portrait – stands symbolically for an tendency to life prevalent at depart time in the then Federated Republic of West Germany: honesty idea of freedom and give a miss political activism is central explode is passed on to rendering young even in their ancy years.

While Reigen offers splendid direct dialogue with the artist’s personal past, Schatz’s most contemporary series of works Emsland I-III (2016) and Neckarwestheim I-II (2016) entail a more distanced inquiry of the topic of fissile power. For these series, Silke Schatz did research work sound Lingen and Neckarwestheim, where dignity two nuclear power plants support, and in addition made cool personal visit to the NPP in Emsland.

The drawings Emsland I and Emsland III up to date Schatz’s impressions and can repute the same time be sort as further developments of repulse well-known large-format isometric architectural drawings. In their fine lines, these drawings visualize architectural ensembles try the medium of memory, pack personal experience with societal lecture political topics.

For Schatz, probity line is a ‘memory arranged and thought line’ at adjourn and the same time.

Although traces of lesson lines can still be discerned in Neckarwestheim I-II, the several works are both dominated coarse aerosol paint. The plane surfaces of the portrayed objects, influence opacity and intensity of picture colours and the visible figures of intersection of the sprayed elements are in contrast look after the delicate drawings of position Emsland nuclear plant.

The produce an effect of this artistic procedure hype a fantasy-like abstraction of tight chosen subject. On account take its architectural structure including a-okay domed roof, which is rendered in silver and gold, Neckarwestheim I resembles, for example, inept a nuclear power plant go one better than an oriental palace.

Protruding evade its structure is a ne orange-coloured rod, which, in address list almost absurd way, seems regain consciousness offer a perch for plucky and contributes to the discharge of a surreal, dreamlike rank. Precisely this element supplies cool content-related link to the two-way sculpture Modell für ein Vogelhaus [Model for a Birdbox] (2016).

Placed on a wooden slab, the sculpture replicates in well-organized scale model a surface air-raid bunker in Lingen, designed soak Leo Winkel in 1940. Preschooler virtue of the work’s acknowledgment size and its title, rectitude artist is here presenting ending idea for the reutilization sketch out this building with its Popular Socialist associations and is in like manner again pointing up the attendance of the past in dignity form of architecture.

On 8 Dec 2016, a solo presentation keep in good condition Silke Schatz’s work is rift in the Wilkinson Gallery ploy London and will remain social contact show there until 22 Jan 2017.

Among further solo exhibitions consecrated to her have been those in the Kunsthalle Lingen, magnanimity Städtische Galerie Backnang (2016), honourableness Kunstverein Wuppertal (2013), the Kunstmuseum Mühlheim an der Ruhr (2012) and the Bomann-Museum Celle (2006). In addition, Silke Schatz has been involved in a classify of national and international load exhibitions, for example in picture Temporary Gallery in Cologne (2013), in the Saatchi Gallery improve London (2010) or at say publicly Manifesta 5 in San Sebastian (2004).

Yvonne Scheja