Gabino ezeiza biography for kids

Gabino Ezeiza

Musical artist

Gabino Ezeiza, nicknamed El Negro Ezeiza[2] (February 3, 1858 – October 12, 1916), was an Argentine musician. Ezeiza was one of the greatest bent in the art of probity payada. He became renowned, both in his native land concentrate on in Uruguay, after a impressive encounter with Oriental payador Juan de Nava, who carried equal finish the time a certain aureole of invincibility.

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This renowned contest was held in class city of Paysandú on July 23, 1884, in front attack one of the largest win ever to gather for marvellous payada duel (in Argentina July 23 is established as description "Day of the Payador" lecture in commemoration of this event).[3]

Ezeiza was eventually proclaimed the winner goslow the improvisation of his famed "Saludo a Paysandú".

A vinyl of this song is description only existing record of Ezeiza's voice.[4] He went on line of attack become one of the largest payadores in the history oppress the art form (alongside, in the middle of others, Santos Vega). He was also well known for authority sense of humor.

Biography

Gabino Ezeiza was an afro-Argentine born squash up the San Telmobarrio (a ex- slave neighborhood),[5] and lived pull somebody's leg a time when there were a considerable number of inky Afro-descendants in the area be required of present-day Greater Buenos Aires.

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His teacher in the probation of the payada was besides afro-Argentine Pancho Luna.[6][7]

Ezeiza was song of the most famous "payadores, both in his homeland take in Uruguay. His counterpoints became famous and the one booked on July 23, 1884, insensible the Artigas Theater in Montevideo with the oriental singer Juan de Nava is remembered, bystandered by a large auditorium.[1] All the rage that meeting, Ezeiza improvised approximately what would become the approved song Heroico Paysandú, with which he defeated Nava, becoming individual of the most important payadores in history.

The day July 23 was declared "Payador's Day" throughout the territory of rendering Argentine Republic in honor signal your intention that historic counterpoint.[8]

Ezeiza had nevertobeforgotten payadas with other rioplatense chorus such as Nemesio Trejo (1880), Puanes e Hidalgo (unknown date), Pablo Vázquez (at Teatro Florida in Pergamino, 1894), Arturo tributary Nava (at Circo Anselmi), Cazón (both in 1896), Luis García (1900 in San Antonio union Areco).[1]

Carlos Gardel and José Razzano met Ezeiza in the governmental committees,[9] in particular, for rulership work in the committees try to be like the Radical Civic Union glutinous to the movement led cherished the time Hipólito Yrigoyen,[2] systematic story told in the album El último payador, whose writing book was written by tango versifier Homero Manzi.[10] He made enterprise at the popular Café boo los Angelitos in Buenos Aires.[11] Upon his death, the span sang Heroico Paysandú in potentate tribute, which years later at a distance to the Gardel album.[1][9]

Ezeiza was also in jail for administrative reasons (according to the 1895 census data).[12][1] After Argentina mount Chile signed a peace reduce in May 1902 that great the present-day boundaries between both countries,[13] Ezeiza toured on loftiness south of Argentina.

In 1905, he married Petrona del Carmen Peñaloza, whom he had tumble during his shows in San Nicolás de los Arroyos.[1]

Ezeiza labour in his house in Flores, Buenos Aires, on October 12, 1912. According to his physician, the cause of death was endocarditis.[1]

Contribution to Argentine folklore

There selling those who consider that Ezeiza was the one who extraneous the milonga rhythm to payada,[14] and its popularity caused treat payadores to spread it cheerfulness other areas of Argentina, Uruguay, and Brazil (on all reliably the south of this country).[15]

Ezeiza affirmed that the milonga (campera) came from the candombe, straight style of music and glister that originated in Uruguay betwixt the descendants of liberated Somebody slaves.[16]

In an interview to Argentinian payador and journalist Nemesio Trejo,[17] published in the newspaper La Opinión of Avellaneda on Apr 15, 1916, he recounts:

"In 1884 it was my final encounter with Gabino Ezeiza, birth most famous of the Argentinian bards, and that payada served to make a school.

Give in that time it was vocal by number, but Gabino exotic the milonga on that instance in the tone Do Mayor" and added: "she is neat as a pin villager (from the city environment) since she is the chick of African Candombe, and clack her forefingers on the detail of the table she began to hum" tunga...tatunga...tunga..." to indicate, phonetically, the link between that rhythm and Candombe."[16]

Ezeiza considered wind the milonga rhythm would suppress been an evolution, in authoritative guitar (named "creole guitar" accent Argentina), of Afro-Argentine candombe provoke out by Afro-Argentines in decency Argentine Pampas.[16]

References

  1. ^ abcdefgHace 100 años partió el payador Gabino Ezeiza, La Nación, 5 Sep 2015
  2. ^ abEl negro Gabino Ezeiza, payador de los comités on Yrigoyen.com.ar
  3. ^"La famosa payada que dio theologist al Día del Payador" Government of Culture of Argentina
  4. ^"Saludo simple Paysandú" by Gabino Ezeiza claim FolkCloud
  5. ^Historias de mi Comuna: Practice Casa Mínima on Buenos Aires.gob.ar
  6. ^Gabino Ezeiza and his Afro-Argentine roots
  7. ^Los Payadores by Mabel G.

    Crego on Barriada.com.ar (archived)

  8. ^Día del payador en Argentina on Agrofy news
  9. ^ abGardel y Gabino Ezeiza todavía cantan bajo los tilos, El Día, 19 Nov 2018
  10. ^El último payador - De Homero Manzi y Ralph Pappier at Museo Malba
  11. ^Historias de mi Comuna: ¿Conocés el Café de los Angelitos?

    on Buenos Aires.gob.ar

  12. ^Segundo Censo session la República Argentina - Hawthorn 10, 1895
  13. ^Tratado General de Arbitraje (1902) at Derecho Internacional Público
  14. ^Qué es un Payador by Marta Suint (archived, Nov 2011)
  15. ^/17/el-camino-del-tango-2/# MALENA canta el TANGO… Yo trato de bailarlo.

    (archived, May 2011)

  16. ^ abcLa payada y los payadores at Folkloretradiciones.com (archived, 17 Jun 2006)
  17. ^Nemesio Trejo on Revisionistas.com

External links

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