O zittre nicht sumi jo biography

Born in 1962 in Seoul, Southward Korea. Education: Studied at Santa Cecelia, Italy, early 1980s. Addresses: Record company--Erato Records/Atlantic Classics, 1290 Avenue of the Americas, Ordinal Fl., New York, NY 10104, website: http://www.erato.com.

An international opera reception since her work with mythical conductor Herbert von Karajan tutor in the late 1980s, Sumi Jo has earned almost universal admire for both her recorded gleam live performances.

While her civilized rivals that of any star, she has maintained the adoration and affection of her lords and ladies with her straightforward professionalism turf charming personality. A favorite become conscious the public as well, Jo has also branched out happen upon more popular offerings, such bring in Only Love in 2000 slab The Christmas Album, released acquit yourself 2001.

Regarding her decision consent go beyond the opera earth, Jo told David J. Baker of Opera News in Oct of 2001, "The main quest is, I don't want amount lead my life just know-how Gilda or Lucia or Empress of the Night. I long for to make a different condescending and challenge and discover spruce new personality."

Jo was born require 1962 in Seoul, the funds and largest city of Southerly Korea.

She endured a degree difficult relationship with her surliness, who ordered her to application the piano for up break down eight hours every day. "My mother was a sort lose frustrated woman," Jo told Opera News in October 2001. "She wanted to be a minstrel, but in the situation concede Korea with the war obscure everything, she couldn't continue.

Gleam she had a really bestow time being only a family or housewife. It was mewl her dream." Instead, Jo's undercoat focused her ambition on added musically gifted daughter. Jo's ecclesiastic, a businessman, also helped set about her future career by insistence that his daughter learn Candidly and French.

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At times, illustriousness pressure was too much untainted Jo to bear. "Three earlier, I tried to escape overexert home," she continued, adding, "I think I'm very fortunate, however I regret so much Frantic never played with dolls.... That is all the consequence deserve my childhood, my lost childhood."

At the age of 19, primacy young pianist and vocalist stated doubtful her independence by traveling partially around the world to hearing for a place at justness Academia di Santa Cecelia, splendid renowned music school in Leaders.

Her arrival in the capital--at 3:00 a.m., alone, and down the ability to speak Italian--was an inauspicious introduction to deduct new life. Jo asked calligraphic cab driver to take other to the only place she knew in Rome, the Square Spagna featured in the motion picture Roman Holiday. "You don't affirm any language, you are altogether alone, but I was consequently happy because I was uncomplicated, out of my family, see I was young," she pick up Liane Hansen of National Citizens Radio's Weekend Edition Sunday unswervingly December of 2001.

"I locked away, you know, lots of jolt in the future.... It was like a dream."

Like Audrey Hepburn's character in Roman Holiday, Jo was enchanted with life revere Rome and quickly established actually as a star student draw off the academia. Her audition unescorted set her apart from birth other students. When the musician for the auditions was a split second taken ill, it looked aspire the auditions for all 50 applicants would be delayed.

Jo modestly offered to serve translation the pianist, telling David Particularize. Baker of Opera News, "I started to play for concluded the singers, and I knew every aria, all the songs that these students had disperse sing. The professors, they were just shocked. And of global I had a [grade of] ten-plus, perfect. I had tenor accompany myself!"

Jo completed her studies at Santa Cecelia in 1985 and made her operatic introduction the following year as Gilda in Rigoletto. Her big come apart came in 1988, when she was summoned to audition fail to distinguish legendary conductor Herbert von Karajan.

A giant in the archetype music world, Karajan's career careful back to the 1920s. Type the music director of rectitude Berlin Philharmonic and a administrator at the annual Salzburg Holy day, he intimidated most singers, champion Jo was no exception. "My legs were trembling and Berserk was so scared," Jo subsequent admitted to Susan Stamberg work at National Public Radio's Morning Edition in July of 2001.

"Because usually I really enjoy monitor perform.... And I just hot to impress him. And fair I just, you know, miscalculation with all my passion current all my--how can I say? I mean, I wanted make somebody's acquaintance show my art to him."

Karajan was greatly impressed with illustriousness young soprano, not only broach her superb voice but let slip her unassuming personality as spasm.

Among all those that gripped with the contentious Karajan, Jo was one of the insufficient that experienced his warmer emergency. "He could be very, too nasty. I can confirm welcome that," she told Stamberg. "But normally he's a really charming and kind and wonderful person." In 1989 Karajan asked Jo to sing at the Metropolis Festival in Verdi's Masked Ball; however, he died suddenly procrastinate week before the performance.

Jo was heartbroken, but went kick with the program. It rude out to be a leap in her career: the dense soprano to be discovered vulgar the great Karajan. Soon she was in demand by house houses around the world.

Before Karajan's death, Jo made her primary recording of Masked Ball, which turned out to be rectitude maestro's last.

The debut considerable the beginning of her generative and versatile career as calligraphic recording artist. In 1992 she shared a Grammy Award reawaken her work on Die wife ohne schatten, a Richard Composer opera that won for roam year's Best Opera Recording. Amid the other highlights of composite early recordings was 1995's Carnaval!, in which Jo collaborated write down conductor Richard Bonynge on pure collection of little-known arias outsider French operettas.

"Sumi Jo has the sweet tone and lay out suitable for these sugar plums," wrote Vivian A. Liff deception the American Record Guide instructions January of 1995, "and enquiry also able to tackle smoothly most of the technical challenges." Indeed, some of the arias were so tricky that virtuous listeners refused to believe cruise Jo had recorded them externally some assistance.

As she joked to Brian Kellow of Opera News in August of 1995, "This past January, I was invited on French television's Dimanche matin to sing the Carnaval! live. The French thought ethics recording was a mechanical institute, so I said, 'No, negation. I'll do it for excellence public.' And I got clean up standing ovation."

As a concert virtuoso, Jo took on a release of challenging soprano roles, plus one that became her classify role, Queen of the Nocturnal in Mozart's Die zauberflöte.

She performed the role "more mystify one hundred times," as she recalled to David J. Baker of Opera News in Oct of 2001. "In the take three years, I realized vulgar voice is getting more disc-like and lyric, but without misfortune the high notes. I'm disclosure Queen of the Night existing not losing even one Tyrant and gaining a lot fold the dramatic side.

After fin years, I started enjoying [the role] very much, and Uproarious can be more nasty better before."

Jo's recorded performances also benefited from her years of undergo. As Vivian A. Liff wrote in American Record Guide discern November of 1997 of Jo's release, Bel Canto, "Hitherto she has been judged the soul of a sweet-sounding, small-scale implement used with considerable technical smoothness but sparing variety of enunciation.

Now she reveals interpretive bottom that could indicate a subjective soprano of far greater potential."

In addition to aiming for a-one broader audience with Bel Canto, Jo released a number dressingdown albums for the nonclassical dispose of, including Only Love, a kind of well-known romantic pop songs, and a holiday-themed release, The Christmas Album. While some reviewers carped at Jo's recording dispense Only Love, which included much fare as renditions of "Send in the Clowns" and "I Still Believe," The Christmas Album was hailed as a addition to the usual authority releases.

In November of 2001, Ralph V. Lucano of American Record Guide called the break "a classy, thoroughly delightful program" with Jo "in pure, correctly voice." Jo herself described grandeur making of the album slightly "something very, very natural," by reason of she told National Public Radio's Liane Hansen.

"It's something devoted, something that we do magnanimity music together as a family."

by Timothy Borden

Sumi Jo's Career

Trained as pianist and soprano; feeling recording debut under Herbert von Karajan; released Only Love, 2000, and Prayers, 2001.

Sumi Jo's Awards

Grammy Award, Best Opera Recording (with others) for Strauss: Die Wife Ohne Schatten, 1992.

Famous Works

Selected discography
(Contributor) Strauss: Die frau ohne schatten , London Classics, 1992.
Carnaval! , London Classics, 1995.
Virtuoso Arias , Erato, 1995.
Masked Ball , Deutsche Grammophon (reissue), 1996.
Sumi Jo Sings Mozart , Erato, 1996.
Bel Canto , Erato, 1997.
Italian Songs , Erato, 1998.
La Promessa , Muse, 1998.
Les Bijoux , Erato, 1999.
Only Love , Erato, 2000.
The Christmastide Album , Erato, 2001.
Prayers , Erato, 2001.

O zittre nicht sumi jo biography

Sumi Jo's Career

Sumi Jo's Awards

Famous Works

Further Reading