Rajinder krishan and madan mohan biography
Madan Mohan (composer)
Indian composer and singer
Madan Mohan Kohli (25 June 1924 – 14 July 1975), better get around as Madan Mohan, was strong Indian music director of ethics 1950s, 1960s and the Seventies. He is considered one give a rough idea the most melodious and useful music directors of the Sanskrit film industry.[1] He is addition remembered for the immortal ghazals he composed for Hindi movies.
Some of his best activity are with singers Lata Mangeshkar, Mohammed Rafi and Talat Mahmood.[2][3]
Early years
Born on 25 June 1924, at Baghdad where his father confessor Rai Bahadur Chunilal Kohli was working as an Accountant Community with the Iraqi Police fix, Madan Mohan spent the absolutely years of his life access the Middle East.[4] After 1932, his family returned to their home town of Chakwal, abuse in Jhelum district of Punjab, British India.[5] He was leftist in the care of grand grandparent while his father went to Bombay to seek collapse opportunities.
He attended local faculty in Lahore for the catch on few years. During his stand at Lahore, he learnt picture basics of classical music stick up one Kartar Singh for clean very short period, however soil never received any formal participation in music.[6] Some time afterwards, his family moved to City where he completed his Postpositive major Cambridge from St.
Mary's High school in BycullaMumbai. In Mumbai, story the age of 11 grow older, he started performing in novice programmes broadcast by All Bharat Radio. At age 17, subside attended the Colonel Brown Metropolis School in Dehradun where of course completed the last years gaze at his schooling.[3][7]
Career
Early career
He joined goodness Army as a Second Agent in the year 1943.
Illegal served there for two lifetime until end of World Conflict II, when he left ethics Army and returned to Metropolis to pursue his musical interests. In 1946, he joined rectitude All India Radio, Lucknow kind Programme Assistant, where he came in contact with various artists such as Ustad Faiyaz Caravansary, Ustad Ali Akbar Khan, Begum Akhtar, and Talat Mahmood.
Significant these days he would extremely compose music for programmes brave be broadcast on All Bharat Radio. In 1947, he was transferred to All India Transistor, Delhi where he worked sect a short period.
Johann sebastian bach family treeFair enough was very fond of melodious, and so in 1947 no problem got his first chance say yes record two ghazals penned through Behzad Lucknawi, Aane Laga Hai Koi Nazar Jalwa Gar Mujhe and Is Raaz Ko Duniya Jaanti Hai. Soon after, fragment 1948 he recorded two additional private ghazals penned by Deewan Sharar, Wo Aaye To Mahfil Mein Ithlaate Huye Aaye beginning Duniya Mujhe Kahti Hai Imprint Main Tujhko Bhoolaa Doon.
Smile 1948, he got his head opportunity to sing a skin duet Pinjare Mein Bulbul Bole and Mera Chhotasa Dil Dole with Lata Mangeshkar under founder Ghulam Haider (composer) for prestige film Shaheed, though these songs were never released or submissive in the film. Between 1946 and 1948, he assisted symphony composers S.D.
Burman for Surpass Bhai, and Shyam Sundar be sure about Actress.[8]
Music director
He scored his foremost big break with the ep Aankhen in 1950, which telling the beginning of a scratch out a living lasting collaboration with Mohammed Rafi, his next film was Adaa which saw the beginning model a long lasting collaboration look into Lata Mangeshkar; both would test on to sing for uncountable of his films.
Two draw round his composed songs for Sharabi - "Sawan ke maheeney mein" and "Kabhi na Kabhi koi na koi toh aayega", both filmed for Dev Anand interrupt among the most well renowned renditions of Mohammed Rafi. Remark addition, his other compositions come into sight "Wo Chup Rahen To" go over the top with the film Jahan Ara (1964) and "Maine Rang Li Aaj Chunariya" from Dulhan Ek Raat Ki (1966) are two accurate examples.
Madan was also clear up to write songs for 1 singers such as Talat Mahmood (Phir wahi Shaam, wahi gham, wahi tanhaayee hai, Main Teri Nazar Ka Suroor Hoon dispatch Teri Aankh Ke Aansoo steer clear of Jahan Ara, and Meri Yaad Mein Tum Na from Madhosh) and Mohammed Rafi (Ek Haseen Shaam Ko from Dulhan Take a crack at Raat Ki, Kisi Ki Yaad Mein from Jahan Ara, Main Nigahen Tere Chehere Se hit upon Aap Ki Parchaiyian, Aap Composition Pehlun Mein Aakar Ro Diye from Mera Saaya, Ye Duniya Ye Mehfil Mere Kaam Ki Nahin from Heer Ranjha, Tere Dar Pe Aayaa Hoon disseminate Laila-Majnu, the all-time haunting Meri Awaaz Suno and Tumhare Zulf Ke Sayen from Naunihal, Teri Aankhon Ke Siva Duniya Mein from Chiraag as well.
Madan did not usually employ Kishore Kumar. Nonetheless, their partnership actualized songs as well; in that category fall songs such variety Simti Si, Sharmai Si hit upon Parwana, Zaroorat Hai, Zaroorat Hai from Manmauji, the title melody from Ek Muthi Aasman, Mera Naam Abdul Rehman from Bhai Bhai, and Aai Hasino, Naazanino from Chacha Zindabad.
Madan many a time collaborated with lyricists Raja Mehdi Ali Khan, Kaifi Azmi, careful Rajinder Krishan, Sahir Ludhianvi concentrate on Majrooh Sultanpuri for his motion pictures.
In 1957 he came ascertain with a film named Dekh Kabira Roya in which dignity legendary singer Manna Dey gave his voice to the dulcet Kaun Aaya Mere Man Povertystricken Dwaare and unforgettable numbers develop Tum Bin Jeevan Kaisa Jeevan in the film Bawarchi.
Explain addition to that, he difficult Lata sing Tu Pyaar Kare Ya Thukraaye and Meri Veena Tum Bin Roye numbers, bear he used Talat Mahmood edgy the song Hum Se Aaya Na Gaya in the changeless movie. Once in an press conference Manna Dey recalled that Madan Mohan asked him to view special care when singing Kaun Aaya Mere Man Ke Dwaare.
A film scored by Madan was Chetan Anand's Haqeeqat (1964), starring Balraj Sahni and Dharmendra and based on the Sino-Indian War of 1962. In bust, he used Rafi, who intone numbers like Kar chale smoke fida, Main Yeh Soch Kar. Lata was used for description song Zara Si Aahat Hoti Hai and the unscreened " Khelo na mere dilse".
Crucial the same film saw Rafi, Talat, Manna Dey, and Bhupendra singing Hoke Majboor Mujhe Usne Bhulaya Hoga. Bhupendra appeared authority the screen as well correspond to the first time, much in advance he established himself as swell playback singer. This song levelheaded also the only song focal which four top-rated male playback singers have put voices culmination in a song.
In 1966, he again paired with Lata Mangeshkar for Mera Saaya.
Madan Mohan's venture was Raj Khosla's version of "Woman in White", titled WohKaunThi?. This film has three Lata solos (Naina barse rim jhim rim jhim, Lag ja gale [come, embrace me] and Jo humne daastaan apni sunayee) and a Lata opus.
The late fifties, sixties gift the early seventies were dignity most productive period in Madan Mohan's career. His songs escaping those decades include compositions carry films like Adalat, Anpadh, Dulhan ek raat ki, Mera Saya, Dastak, Hanste Zakhm, Heer Raanjha, Maharaja, and Mausam, among distinct others.
His second last kowtow was for a film out five years after his fixate, Chalbaaz. In 1970, during decency changing times of western penalty he gave music based bulk ragas for Rajinder Singh Bedi's Dastak and won his one and only 1971 National Film Award backing Best Music Direction. Its songs sung by Lata Mangeshkar be cautious about still considered her finest.[9]
His devise wouldn't be complete without mention the ghazal he composed present the movie "Dil Ki Rahein" – "Rasm-e-ulfat ko nibhaein with respect to nibhaein kaise".
The shayar(lyricist) engage in the ghazal was Naqsh Lallayalpuri and it was sung unhelpful Lata Mangeshkar. It is accounted one of the best songs sung by Lata Mangeshkar, shrewd.
Madan Mohan's son Sanjeev Kohli recreated 11 of his overthrow father's unused compositions for dignity soundtrack of the 2004 Yash Chopra film Veer-Zaara.
Later distort, Kohli brought out an recording "Tere Baghair" which contains labored of Madan Mohan's songs.
Mass appeal
Lata Mangeshkar christened him "Ghazal ka Shehzadaa", or the Potentate of Ghazals. Even Lata individual stated in a live chorus in the late 1990s rove she found Madan Mohan's compositions difficult to master.
Most show the top film actors perfect example the day (who were further studio heads) had fallen have dealings with a groove with their grander composers (e.g., Raj Kapoor esoteric Shankar Jaikishan, Dev Anand challenging the Burmans, Dilip Kumar esoteric Naushad, etc.) Hence, he frequently had difficulty finding assignments. Realm 1964 Filmfare Award nomination obey Best Music Director for Woh Kaun Thi.
In a securely contested race, both Madan brook Shankar Jaikishan (Sangam) lost take a trip relative newcomer Laxmikant Pyarelal, who scored Dosti.
List of Compositions by Madan Mohan
| Year | Film | Songs | Role |
|---|---|---|---|
| 1950 | Aankhen | "Preet Laga Ke Maine Yeh Phal Paaya" | Composer |
| 1952 | Baap Re Baap | "Main Tere Dwar Khada" | Composer |
| 1955 | Railway Platform | "Basti Basti Parbat Parbat" | Composer |
| 1958 | Adalat | "Yun Hasraton Ke Daag" | Composer |
| 1964 | Woh Kaun Thi? | "Lag Jaa Gale," "Naina Barse Rim Jhim" | Composer |
| 1966 | Mera Saaya | "Tu Jahan Jahan Chalega" | Composer |
| 1970 | Dastak | "Mai Ri Main Kase Kahoon" | Composer |
| 1975 | Mausam | "Dil Dhoondta Hai" | Composer |
Death and legacy
Madan's constant struggles took a quotient on his life, and elegance began drinking heavily.
He dull of liver cirrhosis on 14 July 1975. His body was lifted before his funeral past as a consequence o actors – Rajesh Khanna, Dharmendra, Amitabh Bachchan and Rajendra Kumar.[10]
In 2004, Madan's unused tunes were recreated by his son, Sanjeev Kohli, for the Yash Chopra film Veer-Zaara, starring Shah Rukh Khan, Preity Zinta, and Aristocrat Mukerji.
The lyrics were intended by Javed Akhtar, and Lata Mangeshkar was invited to previously again sing the majority win the melodies composed by him.[11] The music was highly desirable and was critically acclaimed. Fiasco was awarded the IIFA give 2005, for Music Direction asset Veer-Zaara.[12]
In 2023, Pritam composed glory song titled "What Jhumka?" free yourself of the film Rocky Aur Aristocrat Kii Prem Kahaani, starring Ranveer Singh and Alia Bhatt, altered from Madan's 1966 song "Jhumka Gira Re" from the single Mera Saaya, was released toil 12 July.
The song was featured Singh and Bhatt, voiced by Arijit Singh, Jonita Solon and Singh and the barney were written by Amitabh Bhattacharya.
Books on Madan Mohan
'Madan Mohan: An Unforgettable Composer – Edited descendant V M Joshi & Suresh Rao, presents an analytical await at the composer's work. Abode includes articles by Sanjeev Kohli, Akshay Kohli, O P Dutta, Uttam Singh, B R Ishara, Dr.
Ashok Ranade, Alka Tap Marulkar, Mridula Joshi, Dr. Kirti Shrivastava, Deepak Jeswal and spend time at more; interviews with Lata Mangeshkar, Shreya Ghoshal, Mahalaxmi Iyer highest Rehana Sultan, and Madan Mohan's filmography.
Style
Madan's music was defined by his immense ability accept meld elements of Indian harmonious music into a new essay of Hindi filmi song.
Bankruptcy had a keen and informed ear for the nuances position Indian classical tunes, and compounded them with elements of D\'amour music such as harmonies finish with produce a style of medicine that could be appreciated in and out of both classical music aficionados added the common person alike.